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Arts & Culture

conclave

'Conclave': Rumors and Lies in the Sistine Chapel

By Nicholas York · Tuesday, Oct. 29, 2024

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Student Artist Spotlight: Arden Conine

By Melissa Moon · Monday, Oct. 28, 2024

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Pixies' 'The Night the Zombies Came' and Halloween Rock

By Yaelin Hough · Monday, Oct. 28, 2024

Solar-Flare

SOLAR FLARE | Spooky Solar Flare

By Emma Robinson · Monday, Oct. 28, 2024

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‘Magpie’: First (and Second) Impressions

By Maya Blanchard · Monday, Oct. 28, 2024

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Songs for an Autumn Evening - A New Englander’s Cold Embrace

By Alessandra Giragos · Friday, Oct. 25, 2024

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Queer Horror: The Horror of the Unrealized Self

By Pen Fang · Friday, Oct. 25, 2024

AutumnBooks

Seven Magical Books to Get Lost in this Fall

By Ayla Kruse Lawson · Friday, Oct. 25, 2024

The Cornell Daily Sun

JASO | Playground Quarrels in the Race to the Oval Office

By Francis X. Jaso · Thursday, Oct. 24, 2024

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The Sequel: To Be Or Not To Be Continued

By Jane Locke · Thursday, Oct. 24, 2024

Capture

‘Saturday Night’: A Labor of Love

By Nicholas York · Wednesday, Oct. 23, 2024

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The Smile’s 'Cutouts' Reviewed: Expanding on Radiohead’s Legacy

By Aidan Goldberg · Wednesday, Oct. 23, 2024

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'Fantastic Mr. Fox': Fall, Masculinity and Family

By Matthew Rentezelas · Wednesday, Oct. 23, 2024

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Marginalia’s Open Mic and the Power of Vulnerability

By Caidan Pilarski · Wednesday, Oct. 23, 2024

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The Art of Adaptation as Seen in Two Autumnal Films

By Chloe Asack · Tuesday, Oct. 22, 2024

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Bon Iver’s "SABLE," on Identity and Self-Forgiveness

By Yaelin Hough · Tuesday, Oct. 22, 2024

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Student Artist Spotlight: Nadia Holcomb

By Melissa Moon · Monday, Oct. 21, 2024

monsters-menendez-poster

The Menendez Brothers 'Monster' Soundtrack: How Fraud Became a Fortune

By Daniel Addoquaye · Monday, Oct. 21, 2024

omelas

“The Ones Who Walk Away from Omelas”

By Sophia Romanov Imber · Monday, Oct. 21, 2024

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Rochester Philharmonic Orchestra Brings Fall Vibes with Beethoven’s Pastoral

By Katie Kim · Monday, Oct. 21, 2024

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