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An Etude In Innovation

November 5th, 2009
By Peter Jacobs
While there is no stereotypical member of Contrapunkt, Cornell’s main outlet for undergraduate composition, Zach Romeo ’10 seems to embody the group strengths. As the group likes to stress, he is an engineer — which should be an anomaly in a group of music majors. However, it isn’t, as Contrapunkt boasts several engineers as well as members from other non-musical majors such as the AEM program. His pieces for piano draw heavily on improvisation, solely because Romeo likes to improvise. Most importantly, Contrapunkt’s upcoming free concert at Barnes Hall this Sunday is Romeo’s first public appearance with his work. Contrapunkt has given him the opportunity to showcase his original work for the first time during his Cornell career. Read More

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Test Spin: Built to Spill

November 5th, 2009
By Adam Lerner
For 17 years now, Built to Spill has produced album after album of twisting and turning, multi-layered, experimental rock music for an ever-growing fan base. There Is No Enemy is a high note for the band, whose current sound continues previous records’ trajectory and features a more matured and cultivated style. Read More

Test Spin: Karen O and The Kids

November 5th, 2009
By Hannah Stamler
“I could use a story … ” So begins the first song titled “Igloo” on the soundtrack for the new movie Where the Wild Things Are. What follows is exactly that — a beautiful, winding and melodic narrative, one that for the most part can stand alone from the film. The soundtrack, by Yeah Yeah Yeahs frontwoman Karen O and an enigmatic backing band called The Kids — a collaboration between a children’s choir, members of the Yeah Yeah Yeahs and their indie compatriots Deerhunter and The Raconteurs — is memorable on its own. Read More

Test Spin: Julian Casablancas

November 5th, 2009
By Samuel Gordon II
You might expect the Strokes’ frontman Julian Casablancas to be a little groggy after awakening from a three-year artistic hibernation, but instead, he calmly brushes the dust off his leather jacket, Casiotone keyboards and mic stand to deliver a punchy and refreshing solo debut with Phrazes for the Young. Infectious energy and meticulously crafted arrangements abound through the 40-minute album as Casablancas pieces together classically catchy compositions, sprawling country waltzes and hypnotic electronic blitzes to create one of the years more engaging releases. Read More