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Arts & Culture

Fashion Weeks in Review

By Lusine Boyadzhyan · Thursday, Nov. 6, 2025

The Plot is Heavenly in 'Hazbin Hotel' Season 2

By Marc Staiano · Thursday, Nov. 6, 2025

YORK | ‘Bugonia’: Inside the Mind of a Conspiracy Theorist

By Nicholas York · Thursday, Nov. 6, 2025

Colleen Hoover Delivers Another Disappointment With ‘Regretting You’

By Katherine Winton · Wednesday, Nov. 5, 2025

Melissa Moon / Assistant Arts and Culture Editor

AYSW? | Gothic Films for an Ithaca November

By Nicholas York · Wednesday, Nov. 5, 2025

Cornell’s PMA Department Redefines Home in ‘I Want a Country’

By Gia Lish · Wednesday, Nov. 5, 2025

Open Your Ears

By Hazel Tjaden · Tuesday, Nov. 4, 2025

Florence + the Machine Delivers Album That Makes ‘Everybody Scream’

By Jane Locke · Tuesday, Nov. 4, 2025

Daniel Caesar Takes Us to Church with ‘Son of Spergy’

By Jordan White · Tuesday, Nov. 4, 2025

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The Art of Anticipation: Why Splitting ‘Wicked’ in Two Works

By Layla Copen · Monday, Nov. 3, 2025

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Jack DeJohnette: Jazz Drummer Giant

By Josh Yiu · Monday, Nov. 3, 2025

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SOLAR FLARE | Existential Dread

By Pen Fang · Monday, Nov. 3, 2025

Courtesy of Gaia Dolenc Bueno

Last Call and Nothing But Treble’s Halloween Performance Delivers Vocals and Spirit

By Katherine Winton · Sunday, Nov. 2, 2025

Courtesy of Sony Pictures

YORK | ‘Blue Moon’: The Downfall of an Artist

By Nicholas York · Friday, Oct. 31, 2025

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HATER FRIDAY | Plotless Horror Movies

By Jane Locke · Friday, Oct. 31, 2025

Not Quite Evil: The Melodramatics’ ‘Sweeney Todd’

By Gia Lish · Thursday, Oct. 30, 2025

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The Underrated Brilliance of Teyana Taylor’s Acting

By Basil Bob · Thursday, Oct. 30, 2025

Getting Blown Away by Geese’s ‘Getting Killed’

By Gustavo Ponzoa · Thursday, Oct. 30, 2025

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Ace Frehley: The Spaceman’s Legacy

By Josh Yiu · Wednesday, Oct. 29, 2025

'Melt' by Not For Radio: Diving Into María Zardoya’s Alternate Reality

By Paulina Delgado-Umpierre · Wednesday, Oct. 29, 2025

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