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(09/29/26 8:30pm)
Miriam Brody Ph.D. ’88 and Joan Jacobs Brumberg, Professor Emerita of Human Development, History and Women's Studies, write this letter on behalf of older Cornell University alumni, professors, and staff representing various colleges and departments who are residents at Kendal at Ithaca Senior Living Community. They can be reached at mrmbrd@gmail.com and jjbrumberg@gmail.com.
(09/29/26 5:10pm)
Editor’s note: This article references sexual assault.
(09/29/26 5:26pm)
Spoiler warning: This article contains details from the plot of Wicked (the movie, the musical and novel).
(09/29/26 1:30pm)
Every single Cornellian has stood at the center of the Arts Quad at least once during their four years here. Little do they all know that their surroundings are the result of a years-long disagreement between Ezra Cornell and Andrew Dickson White as to how the University’s campus should be arranged.
(09/29/26 12:53pm)
The Weight (2026) is a Great Depression-era drama that follows down-on-his-luck widower and World War I veteran Samuel Murphy (Ethan Hawke) as he tries to secure an early release from prison and reunite with his daughter, Penny (Avy Berry). After facing eviction while at church, Murphy checks out a listing for a new apartment only to face accusations of trespassing from three men, a situation that soon escalates into violence once Murphy throws punches at the men he believes are threatening his daughter. After revealing themselves as cops, the men send Murphy to a prison labor camp while his daughter is placed in a foster home, where she will be put up for adoption if he is not released in a month. Recognizing Murphy’s ingenuity after discovering his dilemma, Warden Clancy (Russel Crowe) offers him a chance at early release. To secure his freedom, Murphy must complete a dangerous mission to smuggle gold out of a mine before it can be seized by the federal government under President Roosevelt’s Executive Order 6102. Clancy lets Murphy choose three fellow convicts to join him, and together they embark on a harrowing journey. Along the way, they encounter betrayal and an unexpected ally in Anna (Julia Jones), a Native American woman who fled a federal boarding school that tried to forcibly assimilate her.
(09/29/26 7:20am)
Student Programming Council officers received instructions from Campus Activities staff to immediately stop posting on the social media accounts for their SPC organizations “until further notice,” according to a Monday afternoon email obtained by The Sun.
(09/29/26 4:22am)
The Committee on the Future of the American University completed its yearlong charge to envision “the long-term future of Cornell as an American university” via a 238-page final report and a shorter vision statement released on Tuesday.
(09/29/26 3:44am)
Editor’s note: This article references sexual assault.
(09/28/26 11:49pm)
Editor's note: This article references sexual assault.
(09/28/26 10:42pm)
Editor's note: This article references sexual assault.
(09/28/26 11:00pm)
Nothing stresses me out more than opening my Google Calendar.
(09/30/26 4:00am)
Sun photographers ate their way through Applefest, occasionally capturing pictures of your favorite vendors and performances.
(09/28/26 6:47pm)
Editor’s note: This article contains references to sexual assault.
(09/28/26 4:20pm)
At the end of a concert, exhilarated and hoping for more, fans often shout out “Encore! Encore!” to draw the artist back to the stage for additional songs. The chant is a sign of approval, of the audience wanting more. On Sept. 25, Taylor Swift, under the impression that we needed more of her music, released The Life of a Showgirl: The Encore. Instead of the triumphant final performance to cap off a wonderful show, The Encore attempts to trap listeners in an exhausting repetition of bland lyrics and even blander melodies.
(09/28/26 6:00pm)
On July 1, 2026, I moved to emeritus status after teaching at Cornell for 58 years. The values I treasure, including the educational values which shaped my teaching, are under existential threat every day from the Trump administration.
(09/28/26 2:28pm)
“I wonder if we can ever clearly see the people we love,” muses artist Kathleen Hawkes ’07 in her artist statement printed on an inconspicuous orange pamphlet in the Bibliowicz Family Gallery. This question lies at the heart of her exhibition as a whole, a series of hazy yet bittersweet snippets of a close friend of Hawkes, who died after struggling with addiction and an eating disorder.
(09/28/26 5:50am)
Editor’s note: This article references sexual assault.
(09/28/26 1:00pm)
What do Las Vegas, Nevada and Memphis, Tennessee, have in common? Elvis impersonators! Lots of them. Grown men and women — donning rhinestone-studded polyester jumpsuits, jet-black wigs sculpted into pompadours and oversized gold-rimmed aviators that overwhelm their faces — fill the streets, casinos and, in the case of Memphis, barbeque joints. Some are professional performers; others simply enjoy dressing up like the King and walking around, occasionally, and sometimes without warning, dropping to one knee and belting out: “We can’t go on together, with suspicious minds … ”
(09/28/26 12:00pm)
Two years into Cornell, I’ve made the devastating trip from Kuwait all the way to New York many times already — approximately 70 hours of suspended time stressing about course registration and wondering if I forgot to turn my room’s lights off. The best remedy for high altitude anxiety is a bit of art.
(09/28/26 2:30am)
Dylan Jackaway '24, M.Eng. '25, is an alumnus of Cornell University and a former staff writer for The Cornell Daily Sun's News department. He can be reached at dkj27@cornell.edu.