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Arts & Culture

YORK | 'After the Hunt': A Fascinating Academic Thriller

By Nicholas York · Wednesday, Oct. 22, 2025

Of Monsters and Men: Poets of the Human Experience

By Gia Lish · Wednesday, Oct. 22, 2025

Courtesy of Paramount Pictures

‘Roofman’: A Solid, Slightly Atypical Hollywood Offering

By Tommy Welch · Tuesday, Oct. 21, 2025

Courtesy of Creative Commons

Risley Theater Closure and Stranded Student Art

By Caroline Murphy · Tuesday, Oct. 21, 2025

Courtesy of Creative Commons

The True Legacy of Giorgio Armani

By Lusine Boyadzhyan · Tuesday, Oct. 21, 2025

Courtesy of Creative Commons

The Soul of D’Angelo: 5 Tracks I’ll Never Forget

By Hosannah Choi · Tuesday, Oct. 21, 2025

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Tame Impala Delivers Disappointment on ‘Deadbeat’

By Matthew Rentezelas · Monday, Oct. 20, 2025

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Love, Death and Making Myths in ‘From the Pyre’

By Pen Fang · Monday, Oct. 20, 2025

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Diane Keaton: A Generational Talent

By Tommy Welch · Monday, Oct. 20, 2025

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SOLAR FLARE | POV: Your Life is a Rom-Com

By Rafaella Gonzalez · Monday, Oct. 20, 2025

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HATER FRIDAY | Why You Shouldn’t Give a GAF

By Aima Raza · Friday, Oct. 17, 2025

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We Are Here: Art as Resistance in the Latino Civic Association of Tompkins County’s Exhibit

By Leslie Monter-Casio · Friday, Oct. 17, 2025

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A Cable TV Eulogy

By Hazel Tjaden · Friday, Oct. 17, 2025

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The Digital as the Metaphysical

By Caroline Murphy · Thursday, Oct. 16, 2025

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'Dancing with the Stars' & Gen Z

By Alex Chou · Thursday, Oct. 16, 2025

Tilly Norwood: The Age of Artificial Actors?

By Aarav Bavishi · Wednesday, Oct. 15, 2025

‘Tron: Ares’ Review: Not Terrific, Not Trash

By Jane Locke · Wednesday, Oct. 15, 2025

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AYSW? | My Favorite Book to Movie Adaptations

By Emma Robinson · Wednesday, Oct. 15, 2025

Courtesy of Aniplex and Toho

Emotion and Art in Demon Slayer: Infinity Castle

By Katherine Winton · Friday, Oct. 10, 2025

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HATER FRIDAY | Celebrity Use of Ghostwriters

By Ayla Kruse Lawson · Friday, Oct. 10, 2025

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