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'Challengers' Review: A Sports Movie Out of Left Field

By Sophie Gross · Monday, April 29, 2024

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“Immaculate”: Not Your Average Scream Queen Story

By Lena Thakor · Wednesday, April 17, 2024

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Olivia Rodrigo’s Guts Tour Comes to New York

By Ili Pecullan · Thursday, April 11, 2024

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Filming Loneliness, Watching Alone

By Max Fattal · Wednesday, April 10, 2024

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I Can’t Stop Thinking About ‘Annie Hall’ (Please Someone Help Me)

By Max Fattal · Wednesday, April 10, 2024

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Hozier Cannot Be 'Unheard'

By Freya Nangle · Wednesday, March 27, 2024

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‘Guts Spilled’: It’s Not For You (It’s For Me)

By Max Fattal · Wednesday, March 27, 2024

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The Best and Worst of the CFC Fashion Show

By Opinion Department · Friday, March 8, 2024

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Wait For Me: Hadestown, A Show You Should Not Wait to See

By Arts & Entertainment Department · Wednesday, March 6, 2024

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‘Drive-Away D**es,’ Sibling Rivalries and Having Fun

By Max Fattal · Tuesday, Feb. 27, 2024

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The Oscar Nominees: The Ones I Liked Less

By Max Fattal · Thursday, Feb. 22, 2024

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The Oscar Nominees: The Ones I Liked*

By Max Fattal · Thursday, Feb. 22, 2024

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Overflowing with Untapped Potential: A Critical Review of Percy Jackson and the Olympians First Season

By Leah Badawi · Thursday, Feb. 22, 2024

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'God Loves You, But': In Pursuit of a Cinematic American Gothic

By Max Fattal · Wednesday, Feb. 14, 2024

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'The Zone of Interest' and Creeping Desensitization

By Max Fattal · Monday, Feb. 5, 2024

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Fantasy Favorites: A Review of Crescent City Books 1 and 2

By Emma Robinson · Monday, Jan. 29, 2024

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Substance in the Small Details of 'Saltburn'

By Lena Thakor · Monday, Jan. 29, 2024

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The Blood-Curdling Sadness of All of Us Strangers

By Max Fattal · Thursday, Jan. 25, 2024

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Kelsea Ballerini Has Rolled Up the Welcome Mat for the Second Time, and It’s Even Better Now

By Sydney Levinton · Wednesday, Jan. 24, 2024

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Joe Gatto: That Funny Guy from Staten Island

By Sydney Levinton · Monday, Dec. 4, 2023

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