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Arts & Culture

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Flipturn’s ‘Burnout Days’ is Peak Escapism

By Maya Blanchard · Tuesday, Feb. 4, 2025

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What’s in a Borg? Romeo & Juliet’s Youthful Return to Broadway

By Arts & Entertainment Department · Tuesday, Feb. 4, 2025

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Oscar Deficiencies: The Genre Gap

By Jane Locke · Tuesday, Feb. 4, 2025

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SOLAR FLARE | Sunny Playlist for Studying in

By Claire Choi · Monday, Feb. 3, 2025

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Fauxllennium: TV Girl and George Clanton’s Charming Nostalgia Trip

By Matthew Rentezelas · Monday, Feb. 3, 2025

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Reading Kristin Hannah

By Emma Robinson · Monday, Feb. 3, 2025

HATER FRIDAY | Romantasy Isn’t Literature

By Maya Blanchard · Friday, Jan. 31, 2025

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Ashes to Action: Fighting for Altadena’s Future After the Fires

By Mia Roman-Wilson · Friday, Jan. 31, 2025

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2025 Oscars: Picks and Predictions

By Arts & Entertainment Department · Friday, Jan. 31, 2025

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25 New Reads for 2025

By Ayla Kruse Lawson · Thursday, Jan. 30, 2025

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'Out of Place': A Life in Transit

By Aima Raza · Thursday, Jan. 30, 2025

The Cornell Daily Sun

Why 'Dune: Part Two' Is Undoubtedly the 2025 Oscars Best Picture

By Sophia Romanov Imber · Thursday, Jan. 30, 2025

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Deciphering The Unknown: Contemplating the Voice of a Generation

By Alessandra Giragos · Wednesday, Jan. 29, 2025

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Let’s Talk about Sex: On 'Babygirl'

By Chloe Asack · Wednesday, Jan. 29, 2025

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'Wallace & Gromit: Vengeance Most Fowl' and Tech Overreliance

By Matthew Rentezelas · Wednesday, Jan. 29, 2025

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Luigi Mangione: Guilty Until Proven Innocent

By Rachel Cannata · Tuesday, Jan. 28, 2025

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'The Brutalist' on Art, Capitalism and the Immigrant Experience

By Pen Fang · Tuesday, Jan. 28, 2025

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Love, Time and the Fear of Death: Margot & The Nuclear So And So’s 'Ghost Electricity/Vampire Draw (Deluxe Edition)'

By Yaelin Hough · Tuesday, Jan. 28, 2025

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Transcending Labels: A Political Take on Oscar Nominations

By Mia Roman-Wilson · Tuesday, Jan. 28, 2025

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New Year, New SZA: 'SOS Deluxe: LANA'

By Isabella Blanco · Monday, Jan. 27, 2025

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