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Tuesday, May 19, 2026

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The Surprise of the Awards Season: Walter Salles’ 'I’m Still Here'

By Chloe Asack · Thursday, Feb. 13, 2025

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Symbolism in the Super Bowl Halftime Show: From a Superfan

By Mia Roman-Wilson · Tuesday, Feb. 11, 2025

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TEST SPINS | Etta James: ‘At Last!’

By Sydney Levinton · Friday, Feb. 7, 2025

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The Best Trilogy Ever Written

By Ayman Abou-Alfa · Thursday, Feb. 6, 2025

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What’s in a Borg? Romeo & Juliet’s Youthful Return to Broadway

By Arts & Culture Department · Tuesday, Feb. 4, 2025

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Fauxllennium: TV Girl and George Clanton’s Charming Nostalgia Trip

By Matthew Rentezelas · Monday, Feb. 3, 2025

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Let’s Talk about Sex: On 'Babygirl'

By Chloe Asack · Wednesday, Jan. 29, 2025

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'Wallace & Gromit: Vengeance Most Fowl' and Tech Overreliance

By Matthew Rentezelas · Wednesday, Jan. 29, 2025

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'The Brutalist' on Art, Capitalism and the Immigrant Experience

By Pen Fang · Tuesday, Jan. 28, 2025

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TEST SPINS | Miley Cyrus: ‘Bangerz’

By Sydney Levinton · Friday, Jan. 24, 2025

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'Oyasumi Punpun': A Window Into Darkness

By Asfi Tias · Wednesday, Jan. 22, 2025

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Threads of Fear: How Nuclear Apocalypse Stories Haunt Us More Than Horror Films

By James Palm · Monday, Dec. 9, 2024

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‘A Real Pain’: What It Means to Remember

By Nicholas York · Thursday, Dec. 5, 2024

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Though Flawed, Emilia Pérez Wins Awards Aplenty

By Sophia Romanov Imber · Monday, Dec. 2, 2024

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TEST SPINS | Mariah Carey: ‘Daydream’

By Sydney Levinton · Friday, Nov. 29, 2024

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Someone Please Save the Movie Musical: On 'Wicked'

By Chloe Asack · Monday, Nov. 25, 2024

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‘Gladiator II’ Takes Us Back to Rome, Or Somewhere Like It

By Jane Locke · Monday, Nov. 25, 2024

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'The Handmaid's Tale': A Must Read Banned Book

By Asfi Tias · Friday, Nov. 22, 2024

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Petrichor Brings an Elusive and Entrancing Take on Love

By Aidan Goldberg · Wednesday, Nov. 20, 2024

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How ‘Dancing with the Stars’ Balances Its Legacy with Today’s Television Landscape

By Gillian Lee · Wednesday, Nov. 20, 2024

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