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Reviews

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'The Brutalist' on Art, Capitalism and the Immigrant Experience

By Pen Fang · Tuesday, Jan. 28, 2025

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TEST SPINS | Miley Cyrus: ‘Bangerz’

By Sydney Levinton · Friday, Jan. 24, 2025

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'Oyasumi Punpun': A Window Into Darkness

By Asfi Tias · Wednesday, Jan. 22, 2025

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Threads of Fear: How Nuclear Apocalypse Stories Haunt Us More Than Horror Films

By James Palm · Monday, Dec. 9, 2024

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‘A Real Pain’: What It Means to Remember

By Nicholas York · Thursday, Dec. 5, 2024

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Though Flawed, Emilia Pérez Wins Awards Aplenty

By Sophia Romanov Imber · Monday, Dec. 2, 2024

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TEST SPINS | Mariah Carey: ‘Daydream’

By Sydney Levinton · Friday, Nov. 29, 2024

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Someone Please Save the Movie Musical: On 'Wicked'

By Chloe Asack · Monday, Nov. 25, 2024

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‘Gladiator II’ Takes Us Back to Rome, Or Somewhere Like It

By Jane Locke · Monday, Nov. 25, 2024

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'The Handmaid's Tale': A Must Read Banned Book

By Asfi Tias · Friday, Nov. 22, 2024

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Petrichor Brings an Elusive and Entrancing Take on Love

By Aidan Goldberg · Wednesday, Nov. 20, 2024

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How ‘Dancing with the Stars’ Balances Its Legacy with Today’s Television Landscape

By Gillian Lee · Wednesday, Nov. 20, 2024

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From Laughter to Reflection: How ‘Yellow Face’ Confronts Representation

By Katie Kim · Monday, Nov. 18, 2024

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Cosa Nuestra by Rauw Alejandro: A Powerful Journey Through Time

By Mia Roman-Wilson · Monday, Nov. 18, 2024

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TEST SPINS | Fleetwood Mac: ‘Rumours’

By Sydney Levinton · Friday, Nov. 15, 2024

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Navigating the Waves of Doechii’s ‘Alligator Bites Never Heal’

By Eve Riskind · Wednesday, Nov. 13, 2024

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Catch It If You Can

By Lusine Boyadzhyan · Tuesday, Nov. 12, 2024

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Bystander Culture and ‘Small Things Like These’

By Nicholas York · Monday, Nov. 11, 2024

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'Anora': Explosively Comedic and Unsettlingly Tender

By Pen Fang · Monday, Nov. 11, 2024

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Lyrical Fishing: Haley Heynderickx’ Seed of a Seed

By Aidan Goldberg · Saturday, Nov. 9, 2024

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