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Wednesday, July 15, 2026

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Reviews

Daisy-Jones

Missing the Beat: A Review of the Mini Series <em>Daisy Jones and the Six</em>

By Freya Nangle · Wednesday, April 12, 2023

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"The Super Mario Bros. Movie " - Lets-a-Go

By Brian Lu · Monday, April 10, 2023

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Finding Beauty in the Wreckage: A Review of 'Pleasant Destruction'

By Tom Sandford and Emily Pugh · Saturday, April 8, 2023

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XU | Broadway’s Fat Ham is a Twist on Shakespeare, But it’s Also Much More

By Skylar Xu · Thursday, March 30, 2023

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Locally Grown Dance Takes a Bold Leap

By Emily Pugh · Monday, March 27, 2023

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Below Ocean Blvd and into the Mind: Del Rey Guides Us Through Her World on Latest Album

By Jackson Feldman · Monday, March 27, 2023

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<strong>Slowthai’s ‘UGLY’ Is Anything But</strong>

By Arts & Culture Department · Wednesday, March 22, 2023

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"Atomic Heart" — Unpolished, But Still A Gem

By Brian Lu · Monday, March 20, 2023

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'Everything Everywhere' at the Oscars

By Max Fattal · Thursday, March 16, 2023

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Morgan Wallen Returns to the Top of the Country Industry

By Ili Pecullan · Monday, March 13, 2023

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Oscars 2023: The Best of (most of) the Rest

By Max Fattal · Thursday, March 9, 2023

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Are Hippo Campus's Best Days Behind Them?

By Kiki Plowe · Monday, March 6, 2023

The Technology and Politics of 'Avatar 2'

By Max Fattal · Tuesday, Feb. 28, 2023

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The Whale: Fraser Gives A Larger than Life Performance

By Raphael Mazhandu · Friday, Feb. 24, 2023

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'Gloria' Is the Start of a New Sam Smith

By Ili Pecullan · Thursday, Feb. 23, 2023

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It's Music for Chickens

By Kiki Plowe · Monday, Feb. 20, 2023

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Top Gun: Maverick is Great Because Nothing Else Can Be

By Max Fattal · Monday, Feb. 20, 2023

Much to Say About Much Ado

By Tom Sandford · Monday, Feb. 20, 2023

All-quiet

All Quiet on the Western Front is a Photocopy of a Photocopy

By Max Fattal · Thursday, Feb. 16, 2023

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'The Last of Us' Adds a New Dimension to the Apocalypse

By Lena Thakor · Wednesday, Feb. 15, 2023

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