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Morgan Wallen Returns to the Top of the Country Industry

By Ili Pecullan · Monday, March 13, 2023

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Oscars 2023: The Best of (most of) the Rest

By Max Fattal · Thursday, March 9, 2023

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Are Hippo Campus's Best Days Behind Them?

By Kiki Plowe · Monday, March 6, 2023

The Technology and Politics of 'Avatar 2'

By Max Fattal · Tuesday, Feb. 28, 2023

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The Whale: Fraser Gives A Larger than Life Performance

By Raphael Mazhandu · Friday, Feb. 24, 2023

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'Gloria' Is the Start of a New Sam Smith

By Ili Pecullan · Thursday, Feb. 23, 2023

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It's Music for Chickens

By Kiki Plowe · Monday, Feb. 20, 2023

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Top Gun: Maverick is Great Because Nothing Else Can Be

By Max Fattal · Monday, Feb. 20, 2023

Much to Say About Much Ado

By Tom Sandford · Monday, Feb. 20, 2023

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All Quiet on the Western Front is a Photocopy of a Photocopy

By Max Fattal · Thursday, Feb. 16, 2023

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'The Last of Us' Adds a New Dimension to the Apocalypse

By Lena Thakor · Wednesday, Feb. 15, 2023

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'Scream 2': College is a Horror Sequel

By Eric Han · Thursday, Feb. 9, 2023

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'Nona the Ninth' and the Abyss of Love

By Amy Wang · Monday, Feb. 6, 2023

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'Women Talking' Refuses to Commit to Its Own Premise

By Max Fattal · Monday, Feb. 6, 2023

Hopping Into the New Semester: Beach Bunny and Magdalena Bay at Bailey Hall

By Isabella Hackett · Thursday, Feb. 2, 2023

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'Elvis' is a Faux-Technicolor Boomerish Fever Dream

By Max Fattal · Monday, Jan. 30, 2023

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The Rongo Band Brings Ithaca History to South Hill Cider

By Kiki Plowe · Monday, Jan. 23, 2023

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'She Said' Turns the “He Said, She Said” Narrative on Its Head

By Arts & Entertainment Department · Sunday, Dec. 4, 2022

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Young the Giant Explores Cosmic Feelings in American Bollywood

By Kiki Plowe · Sunday, Dec. 4, 2022

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Happily Ever After: A Spotlight on Cog Dog Theatre Troupe

By Arts & Entertainment Department · Thursday, Dec. 1, 2022

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