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Saturday, May 23, 2026

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Arts & Culture

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A New Genre for 2024: Trying Out Thrillers

By Emma Robinson · Thursday, Feb. 15, 2024

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TV Shows Returning in 2024

By Jenna Ledley · Wednesday, Feb. 14, 2024

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The 2024 Grammy Awards: A Night of Ups and Downs

By Ili Pecullan · Wednesday, Feb. 14, 2024

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'God Loves You, But': In Pursuit of a Cinematic American Gothic

By Max Fattal · Wednesday, Feb. 14, 2024

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HATER FRIDAY | Slow Walkers

By Arts & Culture Department · Thursday, Feb. 8, 2024

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O.J. Simpson, the Iraq War and the Day Satire Died

By Eric Han · Wednesday, Feb. 7, 2024

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Modern Film Flaws: Feminism is Not One Size Fits All

By Jenna Ledley · Tuesday, Feb. 6, 2024

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The Ugly Truth: Lessons In Perfectionism

By Eve Iulo · Monday, Feb. 5, 2024

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'The Zone of Interest' and Creeping Desensitization

By Max Fattal · Monday, Feb. 5, 2024

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I LOVE IT | Ode to Long Movies

By Max Fattal · Friday, Feb. 2, 2024

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Against Mark Rober Vigilantism

By Eric Han · Friday, Feb. 2, 2024

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Elfbar Ideology: Reimagining the Death Drive

By Eric Han · Thursday, Feb. 1, 2024

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Movies to Get Through a Breakup

By Max Fattal · Thursday, Feb. 1, 2024

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Fantasy Favorites: A Review of Crescent City Books 1 and 2

By Emma Robinson · Monday, Jan. 29, 2024

Saltburn

Substance in the Small Details of 'Saltburn'

By Lena Thakor · Monday, Jan. 29, 2024

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Lost Borders

By Luke Dennis · Monday, Jan. 29, 2024

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The Blood-Curdling Sadness of All of Us Strangers

By Max Fattal · Thursday, Jan. 25, 2024

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Kelsea Ballerini Has Rolled Up the Welcome Mat for the Second Time, and It’s Even Better Now

By Sydney Levinton · Wednesday, Jan. 24, 2024

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Never Again: Books to Read this Holocaust Remembrance Day

By Jenna Ledley · Monday, Jan. 22, 2024

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TV Shows to Enjoy During Winter Break

By Jenna Ledley · Wednesday, Dec. 20, 2023

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