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Arts & Culture

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Conversation with a Curator: The Cornell Arts Biennial

By Anna Ying · Wednesday, March 1, 2023

The Technology and Politics of 'Avatar 2'

By Max Fattal · Tuesday, Feb. 28, 2023

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The Whale: Fraser Gives A Larger than Life Performance

By Raphael Mazhandu · Friday, Feb. 24, 2023

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'Gloria' Is the Start of a New Sam Smith

By Ili Pecullan · Thursday, Feb. 23, 2023

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It's Music for Chickens

By Kiki Plowe · Monday, Feb. 20, 2023

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Top Gun: Maverick is Great Because Nothing Else Can Be

By Max Fattal · Monday, Feb. 20, 2023

Much to Say About Much Ado

By Tom Sandford · Monday, Feb. 20, 2023

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“Emily in Paris” Season 3: Tedious, Repetitive and a Tad Ridiculous

By Rafaela Uzan · Friday, Feb. 17, 2023

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Turkish Students Raise Funds in Klarman Hall, Dozens Walk on Unconcerned: The Performative Activism Issue

By Lal Kosematoglu · Thursday, Feb. 16, 2023

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'The Last of Us' Adds a New Dimension to the Apocalypse

By Lena Thakor · Wednesday, Feb. 15, 2023

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The Best Rom-Coms for Valentine's Day

By Freya Nangle · Monday, Feb. 13, 2023

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<strong>The Excitements and Disappointments of the 2023 Grammy Awards</strong>

By Ili Pecullan · Monday, Feb. 13, 2023

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'Scream 2': College is a Horror Sequel

By Eric Han · Thursday, Feb. 9, 2023

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'Nona the Ninth' and the Abyss of Love

By Amy Wang · Monday, Feb. 6, 2023

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'Women Talking' Refuses to Commit to Its Own Premise

By Max Fattal · Monday, Feb. 6, 2023

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In Praise of Regressing Dressing

By Violet Gooding · Thursday, Feb. 2, 2023

Hopping Into the New Semester: Beach Bunny and Magdalena Bay at Bailey Hall

By Isabella Hackett · Thursday, Feb. 2, 2023

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'Elvis' is a Faux-Technicolor Boomerish Fever Dream

By Max Fattal · Monday, Jan. 30, 2023

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Heartbreak Feels Good in a Place Like This: An Obituary for the Regal Cinemas in Ithaca

By Violet Gooding · Thursday, Jan. 26, 2023

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Annabeth Chase and the Male Gaze

By Isabella Hackett · Wednesday, Jan. 25, 2023

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