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Arts & Culture

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‘Saturday Night’: A Labor of Love

By Nicholas York · Wednesday, Oct. 23, 2024

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The Smile’s 'Cutouts' Reviewed: Expanding on Radiohead’s Legacy

By Aidan Goldberg · Wednesday, Oct. 23, 2024

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'Fantastic Mr. Fox': Fall, Masculinity and Family

By Matthew Rentezelas · Wednesday, Oct. 23, 2024

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Marginalia’s Open Mic and the Power of Vulnerability

By Caidan Pilarski · Wednesday, Oct. 23, 2024

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The Art of Adaptation as Seen in Two Autumnal Films

By Chloe Asack · Tuesday, Oct. 22, 2024

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Bon Iver’s "SABLE," on Identity and Self-Forgiveness

By Yaelin Hough · Tuesday, Oct. 22, 2024

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Student Artist Spotlight: Nadia Holcomb

By Melissa Moon · Monday, Oct. 21, 2024

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The Menendez Brothers 'Monster' Soundtrack: How Fraud Became a Fortune

By Daniel Addoquaye · Monday, Oct. 21, 2024

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“The Ones Who Walk Away from Omelas”

By Sophia Romanov Imber · Monday, Oct. 21, 2024

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Rochester Philharmonic Orchestra Brings Fall Vibes with Beethoven’s Pastoral

By Katie Kim · Monday, Oct. 21, 2024

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SOLAR FLARE | A Prelim Pregame

By Mia Roman-Wilson · Monday, Oct. 21, 2024

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They Called Afro House Boring, Until Black Coffee in Brooklyn

By James Palm · Friday, Oct. 18, 2024

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TEST SPINS | The Beatles: ‘Magical Mystery Tour’

By Sydney Levinton · Friday, Oct. 18, 2024

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Is the Once “Sad Girl” Lana Del Rey Going To Have “Two Kids and a Cat in the Yard”?

By Isabella Blanco · Thursday, Oct. 17, 2024

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Who is Han Kang, Winner of the 2024 Nobel Prize in Literature?

By Caidan Pilarski · Thursday, Oct. 17, 2024

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‘Intermezzo’: A Checkmate of Emotions and Lost Futures

By Lusine Boyadzhyan · Thursday, Oct. 17, 2024

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On Remix Culture: Raving About House Music

By Mia Roman-Wilson · Thursday, Oct. 17, 2024

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Headin’ to New York: Actor Daveed Diggs Visits Cornell for a Masterclass on Adaptation

By Katie Kim · Thursday, Oct. 17, 2024

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Charli D’Amelio and Broadway: Disaster or Earned?

By Ashleyrose Saffie · Thursday, Oct. 17, 2024

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'Joker 2' Should Have Stayed in Arkham Asylum

By Claire Choi · Wednesday, Oct. 16, 2024

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