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Arts & Culture

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Iconic, Chaotic and Timeless: Film and the Women of 70s Rock-and-Roll

By Jenna Ledley · Monday, April 8, 2024

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SOLAR FLARE | Seasonal Affective Diaries

By Max Fattal · Monday, April 8, 2024

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For All Admirers of Fairytales: A Review of the Once Upon a Broken Heart Trilogy

By Ayla Kruse Lawson · Thursday, March 28, 2024

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PROFILE | Paragon

By Eric Han · Wednesday, March 27, 2024

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Hozier Cannot Be 'Unheard'

By Freya Nangle · Wednesday, March 27, 2024

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‘Guts Spilled’: It’s Not For You (It’s For Me)

By Max Fattal · Wednesday, March 27, 2024

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WILLIAMS | Beyond Burnout: The Untold Story of Queer Intimacy on Dating Apps

By Finley Williams · Tuesday, March 26, 2024

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SOLAR FLARE | Songs for Grinding Out an Essay

By Sydney Levinton · Monday, March 25, 2024

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HATER FRIDAY | The Worst Walks at Cornell

By Sophie Gross · Friday, March 22, 2024

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Priscilla Speaks!

By Rachel Cannata · Thursday, March 21, 2024

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On ‘Poor Things’: Her Own Means of Production

By Eve Iulo · Thursday, March 21, 2024

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Netflix’s Adaptation of 'Avatar: The Last Airbender' Stumbles In Capturing the True Character of Its Predecessor

By Leah Badawi · Wednesday, March 20, 2024

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'Dune: Part Two': Lacks Plot Lines as Arresting as its Visuals

By Lena Thakor · Wednesday, March 20, 2024

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‘Fear and Loathing’ in Ithaca: Sober and (Less) Sober Reflections on Gonzo Journalism and Turning 21

By Max Fattal · Tuesday, March 19, 2024

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SOLAR FLARE | Songs for the Walk Home

By Eric Han · Monday, March 18, 2024

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"Yes, And?": Ariana Grande is Unapologetically Herself in 'Eternal Sunshine'

By Sydney Levinton · Monday, March 18, 2024

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The Oscars: Glazer’s Speech

By Eric Han · Friday, March 15, 2024

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Music Lately: “Von Dutch,” ‘Scrapyard,’ ‘Vultures’

By Eric Han · Thursday, March 14, 2024

The Cornell Daily Sun

SCHWARZ | “Next Time is Next Time. Now is Now”: Reflections on The Zone of Interest and Perfect Days

By Daniel R. Schwarz · Thursday, March 14, 2024

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Hatikvah: Israel’s History and Hope

By Jenna Ledley · Wednesday, March 13, 2024

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