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Arts & Culture

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CHARI | On “Coraline”, Self-Reflection and Our Favorite Childhood Media

By Arts & Entertainment Department · Wednesday, March 22, 2023

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"Atomic Heart" — Unpolished, But Still A Gem

By Brian Lu · Monday, March 20, 2023

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'Everything Everywhere' at the Oscars

By Max Fattal · Thursday, March 16, 2023

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The 2023 Academy Awards Return to the Mellow Ceremony We Know Them As

By Ili Pecullan · Wednesday, March 15, 2023

Ithaca Community School of Music and Arts Offers Diverse Artistic Outlets

By News Department · Monday, March 13, 2023

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Morgan Wallen Returns to the Top of the Country Industry

By Ili Pecullan · Monday, March 13, 2023

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Oscars 2023: The Best of (most of) the Rest

By Max Fattal · Thursday, March 9, 2023

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Influential Cornell Women to Celebrate This Women's History Month

By Freya Nangle · Thursday, March 9, 2023

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Are Hippo Campus's Best Days Behind Them?

By Kiki Plowe · Monday, March 6, 2023

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"Left Behind" Recap: The Last of Us

By Lena Thakor · Monday, March 6, 2023

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Conversation with a Curator: The Cornell Arts Biennial

By Anna Ying · Wednesday, March 1, 2023

The Technology and Politics of 'Avatar 2'

By Max Fattal · Tuesday, Feb. 28, 2023

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The Whale: Fraser Gives A Larger than Life Performance

By Raphael Mazhandu · Friday, Feb. 24, 2023

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'Gloria' Is the Start of a New Sam Smith

By Ili Pecullan · Thursday, Feb. 23, 2023

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It's Music for Chickens

By Kiki Plowe · Monday, Feb. 20, 2023

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Top Gun: Maverick is Great Because Nothing Else Can Be

By Max Fattal · Monday, Feb. 20, 2023

Much to Say About Much Ado

By Tom Sandford · Monday, Feb. 20, 2023

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“Emily in Paris” Season 3: Tedious, Repetitive and a Tad Ridiculous

By Rafaela Uzan · Friday, Feb. 17, 2023

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Turkish Students Raise Funds in Klarman Hall, Dozens Walk on Unconcerned: The Performative Activism Issue

By Lal Kosematoglu · Thursday, Feb. 16, 2023

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'The Last of Us' Adds a New Dimension to the Apocalypse

By Lena Thakor · Wednesday, Feb. 15, 2023

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