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Tangible Experience in an Intangible World: The Vinyl Revival

By James Palm · Wednesday, Nov. 20, 2024

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Electric Buffalo Records Creates a Home for Campus Musicians

By Maya Blanchard · Wednesday, Nov. 20, 2024

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Art in a Digital Age: A Walk Through a 'Winter in Paradise'

By Ava Tafreshi · Wednesday, Nov. 20, 2024

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Petrichor Brings an Elusive and Entrancing Take on Love

By Aidan Goldberg · Wednesday, Nov. 20, 2024

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How ‘Dancing with the Stars’ Balances Its Legacy with Today’s Television Landscape

By Gillian Lee · Wednesday, Nov. 20, 2024

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Student Artist Spotlight: Alexa Miller

By Melissa Moon · Tuesday, Nov. 19, 2024

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A Poet’s Wisdom: Alice Fulton

By Caidan Pilarski · Monday, Nov. 18, 2024

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From Laughter to Reflection: How ‘Yellow Face’ Confronts Representation

By Katie Kim · Monday, Nov. 18, 2024

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Cosa Nuestra by Rauw Alejandro: A Powerful Journey Through Time

By Mia Roman-Wilson · Monday, Nov. 18, 2024

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SOLAR FLARE| Seasonal Affective Disorder Remedies

By Francis X. Jaso · Monday, Nov. 18, 2024

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Reading in Times of Distress

By Ayla Kruse Lawson · Friday, Nov. 15, 2024

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TEST SPINS | Fleetwood Mac: ‘Rumours’

By Sydney Levinton · Friday, Nov. 15, 2024

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HATER FRIDAY | Horror Movies

By Ava Tafreshi · Friday, Nov. 15, 2024

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Blindsighted: The Ignorance of Literature in the Face of Elections

By Francis X. Jaso · Thursday, Nov. 14, 2024

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Jane Austen, The Original Girl’s Girl

By Rafaella Gonzalez · Thursday, Nov. 14, 2024

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A Feminist Take on the Hot Girl Walk

By Emma Robinson · Wednesday, Nov. 13, 2024

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Navigating the Waves of Doechii’s ‘Alligator Bites Never Heal’

By Eve Riskind · Wednesday, Nov. 13, 2024

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In Defense of Post-Genre

By Yaelin Hough · Wednesday, Nov. 13, 2024

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Women of Rock - An Ode to Divergence

By Alessandra Giragos · Tuesday, Nov. 12, 2024

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Catch It If You Can

By Lusine Boyadzhyan · Tuesday, Nov. 12, 2024

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