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Tuesday, Dec. 9, 2025

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Arts & Culture

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Marisol Escobar's Self Portrait: Existence in Modernity

By Pen Fang · Tuesday, Dec. 3, 2024

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We Should All Get the Punch Line

By Eve Iulo · Tuesday, Dec. 3, 2024

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WILLIAMS | Latasha's Life

By Finley Williams · Tuesday, Dec. 3, 2024

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Haruki Murakami and the Uncertain Walls of Our Reality

By Lusine Boyadzhyan · Monday, Dec. 2, 2024

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Though Flawed, Emilia Pérez Wins Awards Aplenty

By Sophia Romanov Imber · Monday, Dec. 2, 2024

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SOLAR FLARE | All I Want for Christmas is…

By Aima Raza · Monday, Dec. 2, 2024

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Overpade's Soundtrack to a New Generation

By Eve Riskind · Saturday, Nov. 30, 2024

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The Art of Deception

By Mikayla Tetteh-Martey · Friday, Nov. 29, 2024

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TEST SPINS | Mariah Carey: ‘Daydream’

By Sydney Levinton · Friday, Nov. 29, 2024

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Spotify Wrapped and the Marketing of Personal Image

By Matthew Rentezelas · Tuesday, Nov. 26, 2024

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F1’s American Gamble: Tradition Meets Transformation on the Las Vegas Strip

By James Palm · Monday, Nov. 25, 2024

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Someone Please Save the Movie Musical: On 'Wicked'

By Chloe Asack · Monday, Nov. 25, 2024

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‘Gladiator II’ Takes Us Back to Rome, Or Somewhere Like It

By Jane Locke · Monday, Nov. 25, 2024

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SOLAR FLARE | Grateful for Good Taste

By Katie Kim · Monday, Nov. 25, 2024

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'The Handmaid's Tale': A Must Read Banned Book

By Asfi Tias · Friday, Nov. 22, 2024

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HATER FRIDAY | Premature Christmas Festivities

By Matthew Rentezelas · Friday, Nov. 22, 2024

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Labor and Love: A Critique of the Trad Wife Phenomenon

By Aima Raza · Friday, Nov. 22, 2024

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A Tale of Love and Pages: The Romantasy Sensation

By Jane Locke · Friday, Nov. 22, 2024

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The Manosphere: From Broadcast to Ballot Box

By Eve Iulo · Thursday, Nov. 21, 2024

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Anniversary of Surrealism

By Mikayla Tetteh-Martey · Thursday, Nov. 21, 2024

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