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Arts & Culture

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On Spiderverses and Neoliberal Folly

By Max Fattal · Wednesday, June 21, 2023

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Camellias are Still Blooming for You, Karl

By Nika Makoviak · Friday, June 9, 2023

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Verified Snapchat Stories: The Shift Towards Mindless Content

By Rachel Cannata · Wednesday, May 31, 2023

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Slope Day 2023: I Love That

By Nika Makoviak · Friday, May 12, 2023

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Dead and Company's Epic Farewell to Cornell

By Kiki Plowe · Tuesday, May 9, 2023

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<strong>Beach House’s <em>Become </em>Puts You in a Little World of Your Own </strong>

By Rachel Cannata · Monday, May 8, 2023

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<strong>Rowan Drake Talks Ithaca Roots and Upcoming EP</strong>

By Kiki Plowe · Monday, May 8, 2023

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XU | Goodbye to (Godard's) Language

By Skylar Xu · Friday, May 5, 2023

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<strong>Big Red’s Next Icon: After Six</strong>

By Rachel Cannata · Friday, May 5, 2023

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Simplify: A Think Piece

By Nika Makoviak · Friday, May 5, 2023

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'Moving (Images)': Experiments in Poetry and Film

By Nika Makoviak · Wednesday, May 3, 2023

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CHARI | The Concert Experience and the Value of Anticipation

By Ayesha Chari · Monday, May 1, 2023

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John Mulaney is Funny, Still

By Max Fattal · Monday, May 1, 2023

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'Cocaine Bear': Exactly What it Sounds Like

By Raphael Mazhandu · Thursday, April 27, 2023

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A Gospel for Changing Joyfully: Hozier's 'Eat Your Young' EP

By Charlee Mandy · Wednesday, April 26, 2023

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Did You Fall in Love or Limerence?

By Nika Makoviak · Monday, April 24, 2023

BeReal Reveals the Impossibility of Authentic Social Media

By Rachel Cannata · Monday, April 24, 2023

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'Ride Lonesome' at the Cornell Cinema

By Max Fattal · Thursday, April 20, 2023

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The Un-Understandability of 'Last Year at Marienbad'

By Rachel Cannata · Wednesday, April 19, 2023

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On Trigger Warnings and Watching Movies

By Max Fattal · Monday, April 17, 2023

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