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Arts & Culture

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An Inside Look at Keri Blakinger’s ’14 Oscar-Nominated Documentary

By Sophia Romanov Imber · Thursday, Feb. 20, 2025

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‘Perverts’: Ethel Cain on Pleasure, Perversion and Proximity to the Divine

By Pen Fang · Thursday, Feb. 20, 2025

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The Ska of Skinks & Skanks

By Caidan Pilarski · Wednesday, Feb. 19, 2025

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In Memory of Sadie Quinn: The Joys of 'Juno' and Love

By Asfi Tias · Wednesday, Feb. 19, 2025

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One Woman’s Opinion on Book Formats

By Emma Robinson · Wednesday, Feb. 19, 2025

HATER FRIDAY | The Men on 'Love is Blind: Habibi'

By Ava Tafreshi · Friday, Feb. 14, 2025

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Buffalo Street Books Is Testament to the Readers’ Spirit

By Ayla Kruse Lawson · Friday, Feb. 14, 2025

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The Plague of Publishing Trends

By Rafaella Gonzalez · Friday, Feb. 14, 2025

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What ‘Flow’ Has to Say: The Movie Without Words

By Jane Locke · Friday, Feb. 14, 2025

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The Poems of Maya Angelou: A Romantic History

By Daniel Addoquaye · Thursday, Feb. 13, 2025

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The Surprise of the Awards Season: Walter Salles’ 'I’m Still Here'

By Chloe Asack · Thursday, Feb. 13, 2025

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Mary Oliver: A Case for Reading Poetry in 2025

By Rachel Cannata · Thursday, Feb. 13, 2025

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Love Songs Through the Decades

By Yaelin Hough · Wednesday, Feb. 12, 2025

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Sundance Film Festival 2025: The Best and Worst of Fest

By Nicholas York · Wednesday, Feb. 12, 2025

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Shakespeare in Love (Again)

By Mikayla Tetteh-Martey · Wednesday, Feb. 12, 2025

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How to Confess Your Love

By Sophia Romanov Imber · Tuesday, Feb. 11, 2025

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Symbolism in the Super Bowl Halftime Show: From a Superfan

By Mia Roman-Wilson · Tuesday, Feb. 11, 2025

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Highlights From wave to earth: Emotional Masochism Disguised as a Love Letter

By Leah Badawi · Tuesday, Feb. 11, 2025

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Doechii's Grammy Domination

By Eve Riskind · Monday, Feb. 10, 2025

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Five Pre-2000s Rom-Coms to Watch This Valentine’s Day

By Matthew Rentezelas · Monday, Feb. 10, 2025

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