CornellSun.com Topic

Film

Reexamining a Remorseful Romance

Hannah Stamler  —  Feb 10, 2012

Hannah Stamler '12 contemplates the glacial romance of the classic 1961 Italian film, La Notte

Downcast Eyes

Hannah Stamler  —  Nov 11, 2011

Hannah Stamler '12 provides a Foucauldian analysis of vision on Cornell's Campus.

The Subtle Delights of Silent Films

Hannah Stamler  —  Oct 14, 2011

Rediscovering German silent films. 

Can You Dig It? Yes You Can

Patrick Cambre  —  Sep 12, 2011

A documentary on the esteemed hip hop group A Tribe Called Quest brings to life the vibrant Native Tongues scene of the 1990's.

Filming the Party, Life and Memory

Joey Anderson  —  Apr 26, 2011

The Sun chats with senior artist Caroline Post '11.

Student Theatre Organizations Respond to Dept. Cuts

Emily Coon  —  Feb 23, 2011

Cuts to theatre, film, and dance have impacted many programs and different groups. 

A Boston Massacre

Zac Peterson  —  Jan 26, 2011

I am from the Boston area and if you have never been there, you might be deceived into thinking that I’m lucky to be alive. It seems like every year another movie comes out that portrays the town in a negative light. Why don’t you see gruesome movies about Indianapolis or Cleveland, which are both around the same size as Boston, but have more violent crime?

The Popular Fiction of Pulp Fiction

Naushad Kabir  —  Apr 12, 2010

Naushad Kabir deconstructs "cult classic" flick, Pulp Fiction. Tarantino fans everywhere cry.

Big Night for the Small Films

Naushad Kabir  —  Mar 9, 2010

Sound the adjutant’s call. Cue the trumpets. Sometimes, the underdog wins. Sometimes, the unlikely hero rises to the occasion from the shadows. Sometimes, good films get recognized. The 82nd Academy Awards’ letters came in Sunday night.

35 Shots of Rum = World’s Best Beer Goggles?

Liam Berkowitz  —  Mar 5, 2010

In a particularly poignant scene from 35 Shots of Rum — a quiet, ineffable film from the French director, Claire Denis — a retiring train conductor confides in his colleague, the movie’s main character, Lionel, about his fear of returning to quotidian life.

“Surrendering to this condition,” he says, “is what’s so hard.”

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