Sydney Ramsden '14 dishes on the coolest film director, Quentin Tarantino, and his perfect use of soundtrack. 

Drive is everything and nothing all at once. 

It’s not hard to poke fun at Quentin Tarantino’s distinctive writing style: Choose an obscure pop culture reference, have two odd characters argue about it over coffee, have one provide a radically new interpretation of the reference and throw in as much profanity, sexual slang and the n-word as possible (maybe have one of them comment on the quality of the coffee.) When writing by a particular auteur gets so predictable, it is either a welcome expectation by longtime fans or a glaring revelation that an artist has run out of steam and is fumbling at the frayed bottom of his bag of tricks.